JEANNE JAFFE: Stories of Transformations

January 15 - March 31, 2026
  • Jeanne Jaffe is a multi-disciplinary artist best known for her work in installation, sculpture, and stop motion animation. Her work...

    Jeanne Jaffe is a multi-disciplinary artist best known for her work in installation, sculpture, and stop motion animation.   Her work is influenced by an interest in language, literature, psychology, and history and explores how we construct identity, our world and our value systems. Jaffe is Professor Emeritus of Sculpture at the University of the Arts in Philadelphia and a long-term visiting professor at Xi’an Academy of Fine Arts in China. 

     

    Jaffe has had 20 solo exhibitions including most recently at L’Space in NYC and Spinello Projects in Miami.  Her works have been domestically and internationally exhibited in museums such as the Mino Washi Museum in Mino, Japan, the Pennsylvania Academy of Art Museum in Philadelphia, the Woodmere Art Museum, James A. Michener Art Museum, Fuller Craft Museum, and the Hunterdon Art Museum. Her work is included in collections at the Pennsylvania Academy of Fine Arts Museum, at Alfred Ceramic Art Museum at Alfred University, the Sculpture Garden at Abington Art Center, and the Zimmerli Art Museum. 

     

    She has participated in artist residencies at Anderson Ranch artist residency program in Colorado, Deeering Estate artist residency in Miami, Mino Artist Residency in Mino, Japan, Yaddo in New York state, Schuylkill Center for Environmental Education, Women’s Studio Workshop, Rutgers Innovative Printmaking Workshop in New Jersey, and the Virginia Center for Creative Arts. Her work has been reviewed in Art in America and Sculpture Magazine. Jaffe currently lives and works in South Florida. 

  • Before I Wake, 2024, installation image, Spinello Projects
    Before I Wake, 2024, installation image, Spinello Projects
  • Informed by my studies in psychology, anthropology, and archaeology, I explore how identity develops from the early pre-verbal, sensory experiences and implicit memories through the later influences of language and cultural conditioning. - Jeanne Jaffe

    Infinity Figure, 2025 , Glazed ceramic, 20 x 13 x 6", 0:30s animation

     

  • Becoming Hybrid, 2025, Installation View, L' Space Gallery
    Becoming Hybrid, 2025, Installation View, L' Space Gallery
  • In my Pre-Verbal Series, I trace my own embedded body memories and sensations by starting with clay and letting my...

    Skirted Sentinel, 2025, Glazed ceramic, 25 x 11 x 11"

    In my Pre-Verbal Series, I trace my own embedded body memories and sensations by starting with clay and letting my hands and fingers do the thinking and discovering.  The resulting hybrid forms of body fragments, animal forms, vegetative processes, and microscopic life fuse, mutate, and morph creating visual metaphors. - JJ
  • Male Portrait Head 2, 2024, Glazed ceramic, 28 x 15 x 16 inch / Female Portrait Head, 2024, Glazed ceramic, 24 x 15 x 10 inch, 0:43 animation

  • Suspended in space as if in a dream or at other times grounded and looming over the viewer, these works create a symbolic visual language with multiple connections. The sculptures exist in a liminal world of fluid identities, where self and the world are undifferentiated, before the mind and language categorizes, analyses, and limits meaning, encouraging the viewer to access their own associations.   - JJ

  • Pink Muse, 2025, Resin, 48 x 26 x 26' / Blue Portrait Head, 2024, Resin, 60 x 30 x 27'
    Pink Muse, 2025, Resin, 48 x 26 x 26" / Blue Portrait Head, 2024, Resin, 60 x 30 x 27"
  • STORIES OF TRANSFORMATIONS By Gerard Silva Curator, Fleisher Art Memorial Jeanne Jaffe's work takes us down a fantastical and challenging...

    Supplicant1997, Paper and rubber

    STORIES OF

    TRANSFORMATIONS

    By Gerard Silva

    Curator, Fleisher Art Memorial

    Jeanne Jaffe's work takes us down a fantastical and challenging rabbit's hole in which our senses, concept of time and use of language are challenged. We look into the future and we look into the past. The past provides us with the blueprint, the rich and complex history of humankind. Jaffe also addresses many of the current affairs of the world and, viewer beware, the present and future are bleak. But we possess the power to create change, to transform our realities and the artist is here to prove her point with stunning visuals many of which undergo metamorphosis.
  • Let's take for example Jaffe's animation titled Alice in Dystopia. This is a magical and poignant study of humanity, based...
    Still shot from Jaffe's Alice in Dystopia animation
    Let's take for example Jaffe's animation titled Alice in Dystopia. This is a magical and poignant study of humanity, based on the 1865 classic novel by Lewis Carroll. The artist reimagines an old story for the current times with a hopeful message about humanity. You can say the artist is a visual anthropologist, unearthing our history, our stories, and finding inspiration in relics, hieroglyphics, and vestiges of our footprints on earth.
     
    As I dig deeper into her oeuvre of work, I find that anthropology, archeology and psychology don't just influence but have been her course of study and they continue to shape her current work with one caveat: the boundaries of the past, present and future are blurred in her work and we find ourselves in a matrix of creativity.
  • In 1992, Jaffe was part of The Wind Challenge Exhibition series at Fleisher Art Memorial. What she exhibited was very...
    Wind Challenge Exhibition, 1992, Fleisher Art Memorial
    In 1992, Jaffe was part of The Wind Challenge Exhibition series at Fleisher Art Memorial. What she exhibited was very much a portent of what was to come. Garden totems were made by assembling biomorphic forms. Her process was also about the transformation of materials, utilizing clay, plaster, pigmented paper and molding all of these ingredients into a sculptural form, a totem. Her work dealt with both known body forms and forms imagined by the artist. The artist never gives in to expected shapes and structures of art, instead she uses her instinct and her gut and exhorts the viewer to believe and disbelieve at the same time.
  • Take for example the Hybrid series in which 'Male and Female Portraits' are not only standing clay sculptures, they are... Take for example the Hybrid series in which 'Male and Female Portraits' are not only standing clay sculptures, they are...
    Take for example the Hybrid series in which "Male and Female Portraits" are not only standing clay sculptures, they are also the protagonists of a visual metamorphosis through animation. Or consider her 2025 "Becoming Hybrid" installation in which fragmented creations that look like amorphous bones or artifacts are “resurrected” and hang as a curtain in the background. These artifacts frame her Pre-Verbal sculptures which appear to be having a symposium with the viewer, creating an anthropomorphic and personal visual dialogue.
     
    The artist is allowing you to enter into her paradox universe in which you begin to understand her artistic credo: We are all connected to everything. The fluidity of Jaffe’s work is constant, is emerging and is within us. Make sure to enter her universe willingly with an open mind and no pre-conceptions.
  • My later works explore how world narratives shape our lives as we enter language and culture. In installations such as...
    Regeneration, installation view, 2022
    My later works explore how world narratives shape our lives as we enter language and culture. In installations such as “Alice in Dystopia”, "Little Red Riding Hood as a Crime Scene”, and “Elegy for Tesla“ folktales, pop culture narratives, literature, and moments in history are deconstructed and reimagined through a contemporary lens, creating space for new interpretations. - JJ
  • Alice in Dystopia, Stop motion animation, 2021, 7:11 min

    In the stop motion animation “Alice in Dystopia", based on “Alice in Wonderland” from 1865, Alice and the Rabbit go down the wrong Rabbit hole and end up in 2020.  Here they confront all the current ecological and social ills and must find a way to offer hope for renewal and change. - JJ

  • In the installation 'Little Red Riding Hood as a Crime Scene' the roles of victim and victimizer are reversed, as...
    Little Red Riding Hood as a Crime Scene, 2010, Schuylkill Environment Center
    In the installation "Little Red Riding Hood as a Crime Scene" the roles of victim and victimizer are reversed, as a supersized Little Red Riding Hood hovers over a wolf writhing in pain on his back.  Above the wolf hovers the words “What big eyes you have, what big teeth you have” alluding to human greed and how humans are now a threat to the natural world instead of the reverse in the 21st century. - JJ
  • I attempt to create a space for freedom, authenticity, and agency which are the primary conditions for internal growth, transformation, and change in the existing world. - JJ
    Elegy for Tesla, animatronic installation with sound and motion, 1 min, Rowan University Art Gallery
  • ABOUT THE WIND CHALLENGE In 1992 Jaffe was awarded a Challenge exhibition. It is fascinating to see how early in...
    Double, 1992, Wind Challenge Exhibition

    ABOUT THE WIND CHALLENGE

     

     In 1992 Jaffe was awarded a Challenge exhibition. It is fascinating to see how early in her career she developed key, ongoing elements of her artistic vocabulary, materials and practice.
     
    Established in 1978 as "The Challenge" and renamed "The Wind Challenge" after Dina and Jerry Wind began to support it in the 1990’s, Fleisher’s annual juried competition is committed to featuring the work of exceptional artists living in the Philadelphia region. Since its inception, the series has supported the professional journeys of hundreds of emerging artists, many of whom have gone on to have significant careers. Over the years the annual exhibitions have been seen by thousands of visitors, students, art-world professionals and other new audiences.⁠⁠
  • To discover more Wind Challenge artists, explore our online archive of over 500+ artists who have participated in the annual...
    Syntax #3, 1992
    To discover more Wind Challenge artists, explore our online archive of over 500+ artists who have participated in the annual juried exhibitions.⁠ Progress on the archive is ongoing but our goal, through it’s completion, is to build and activate a diverse community of working artists.

     

    WIND CHALLENGE ARCHIVE
  • Rebus, c. 1998, painted papier-mâché, string, dimensions varied FUN FACT Dina and Jerry attended Jaffe’s Fleisher show, and throughout the...

    Untitled (Heart)1994, painted papier-mâché, 5½ × 16½ × 16"

     Rebusc. 1998, painted papier-mâché, string, dimensions varied

     

    FUN FACT

     Dina and Jerry attended Jaffe’s Fleisher show, and throughout the 1990’s purchased several works which they installed in their Gladwyne, PA home.  They displayed the pieces in dialogue with their predominantly abstract collection, and when recently asked about it, Jerry Wind reflected: 

     "We were attracted to the way Jeanne approached the figure by fragmenting and abstracting body parts. The tactile materiality of her art also spoke to us."

  • ARTIST TALK - ONLINE EVENT Join us on Zoom for an artist talk with Jeanne, live from her Miami studio....
    Phantom2025, Glazed ceramic and synthetic hair, 22 x 18 x 7"

    ARTIST TALK - ONLINE EVENT

     

    Join us on Zoom for an artist talk with Jeanne, live from her Miami studio. Learn more about her work and get a behind the scenes look at her process:

     

    Tuesday, March 24th

    6:00 - 7:00pm

     

    This event is free, but advance registration is required ~

     

    RSVP HERE